“Mythos” (2023-)

In Mythos, Mirial photographs the world as one remembers a dream.

Landscapes become reminiscent, fragments of an inner journey where reality dissolves into mist.

Through long exposure, the photographer erases sharpness to recover the essence of a place — not what is seen, but what is felt.

Each image is a drifting trace, an echo of passage, a blurred memory of traveled paths.

Neither fact nor fiction, Mythos unfolds as a dream journal: the silent narrative of a traveler who photographs time rather than space.