“Colors” (2018-2020)

Faces emerge and fade, washes of flowing watercolors and mist span over them.

These photographs capture a stretched instant of movement, of breath, of wilting contour.

Pigments, painted by Mirial on paper and then scanned, seep into the image, contaminating the photograph like emotions made visible, wounds, or fragments of the soul.

Each portrait becomes an uncertain threshold between flesh and trace, between the body and its disappearance.

Color no longer signifies life, but what exceeds it: memory, pain, the intensity of crossing.